So it’s just some other unimportant dead person? I mean, it was a very important dead person, but it wasn’t someone important to us. We all thought it was Bonnie, but when she strolls up, I felt the wind deflate from my sails. While we watch the baby wriggle around, the coroner is reading off a series of injuries, and in How to Get Away with Murder land, if we don’t see the face of a murder victim, it’s never who we expect. I knew this episode was about to be on some bullshit when the first thing we saw was a tiny baby and not Annalise applying eyeliner silently to a synth track. ![]() Just give me what I want and stop making me sit through anyone else’s nonsense. ![]() I’d listen to her explain the plot of the movie Entourage: The Movie. I’d listen to her explain in detail how car insurance works. I’d listen to her explain if I should start an LLC for my freelance-writing business. All I want is Viola Davis in a series of responsible-looking wigs delivering passionate monologues. Because it doesn’t just give us what we want. I wonder if How to Get Away with Murder knows what we really want.
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